‘Drum and Bass Essentials‘ is a new D&B sample pack which locks into Grafix’ ruthless, clinical drum programming in contrast to warm, textured synthesizers, alongside powerful bass lines and energizing risers and effects, this generous collection of sounds leaves the door open to create either experimentally-tinted compositions or straight-up, future-classic jump-up anthems!

Having spent the last decade as a much-respected fixture in Drum and Bass. Initially recognised by the likes of Andy C and High Contrast, and known for his collaborations with Fred V and his more recently, solo tracks such as ‘Acid Generation‘, which reached number 1 in the Beatport Drum & Bass chart. Fully revitalised and now exclusively signed to the legendary Hospital Records, Grafix, aka Josh Jackson, celebrates his next phase by cracking open his sound archive for ‘Drum and Bass Essentials‘, an exclusive new Loopmasters pack.
Staying true to the revolutionary blueprint of Drum and Bass but also taking emotive inspiration from neighbouring genres including Techno, Electronica and Indie Dance, this diverse pack gets to the heart of Grafix impeccable and diverse productions.
What’s On Grafix D&B Sample Pack?
Featuring 552MB of sound, this specially curated collection is resplendent with the ingredients for high-energy rave moments, cinematic soundscapes and the sort of crossover records that have previously gained support from influential radio DJ’s including Danny Howard, Charlie Tee and Mollie Collins.
Grafix D&B sample pack is recorded in studio-quality 44,1Khz and featuring midi, patches, one-shots and loops delivered at 174BPM, this thrilling pack will add a hefty shot of creativity to Liquid, Classic or any other take in the evolution of Drum & Bass.
Loopcloud
Loopcloud allows you to shape millions of royalty-free samples to your sound… Quickly find the sound you need with AI‑powered harmonic and rhythmic sound matching, similar sound recommendations and adjustable audio search filters. Find out more on the official Loopcloud website.

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